{"id":6202,"date":"2024-10-02T22:16:00","date_gmt":"2024-10-03T01:16:00","guid":{"rendered":"https:\/\/mangueira.com.br\/site\/?page_id=6202"},"modified":"2025-02-19T08:38:49","modified_gmt":"2025-02-19T11:38:49","slug":"fantasias-2025","status":"publish","type":"page","link":"https:\/\/mangueira.com.br\/site\/fantasias-2025\/","title":{"rendered":"FANTASIAS 2025"},"content":{"rendered":"\t\t
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A Esta\u00e7\u00e3o Primeira de Mangueira n\u00e3o se responsabiliza pela compra de fantasias fora de seu site oficial.\u00a0
Somente as pessoas relacionadas abaixo s\u00e3o autorizadas pela agremia\u00e7\u00e3o para a venda.<\/p>

\u00a0<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tFantasias de CARRO<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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TODAS AS FANTASIAS EST\u00c3O ESGOTADAS<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00e3o do Abre-Alas - \u201c\u00c1guas Matriciais\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As \u00e1guas matriciais representam um dos sentidos de Kalunga, o princ\u00edpio da vida. S\u00e3o espa\u00e7os de nascimento e renascimento, fundamentais na trajet\u00f3ria dos povos bantos que, ao chegarem ao Rio de Janeiro, contribu\u00edram significativamente para a forma\u00e7\u00e3o cultural e hist\u00f3rica da cidade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00e3o do Abre-Alas - \u201cMuntu em Travessia\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Muntu, o singular de bantu, significa pessoa, indiv\u00edduo. Na travessia pela Kalunga, os povos bantos trouxeram consigo sua espiritualidade e ancestralidade, enraizando no solo carioca tradi\u00e7\u00f5es que moldaram sua identidade cultural.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00e3o do Carro 02 - \u201cKumba\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As macumbas s\u00e3o decorrentes das transforma\u00e7\u00f5es das religi\u00f5es e das cren\u00e7as dos povos bantos. Da l\u00edngua quimbundo, o termo \u201ckumba\u201d possui diferentes significados religiosos associados \u00e0 macumba, que se manifesta de diversas maneiras na cidade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00e3o do Carro 02 - \u201cVitalidade em Natureza\u201d <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A natureza \u00e9 intr\u00ednseca \u00e0 cultura banto, sendo fonte de for\u00e7a vital para os indiv\u00edduos. Plantas e ervas desempenham papel central em rituais de prote\u00e7\u00e3o e nas conex\u00f5es com as Inquices no Candombl\u00e9 de Congo-Angola.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00f5es do Carro 03 - \u201cSujeitos da Cidade\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Os Zungus (ou “Casas de Angu”) foram centros habitacionais, festivos e de com\u00e9rcio que marcaram a forte viv\u00eancia negra no Rio de Janeiro. Para escravizados e libertos, essas casas funcionavam como espa\u00e7o de articula\u00e7\u00e3o, trabalho e lazer na vida dos povos bantos e de seus descendentes que coloriam o Rio de Janeiro. Diferentemente do que ocorria no restante da cidade, nos Zungus, eles eram tratados como sujeitos, podendo exercer suas subjetividades.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00f5es do Carro 04 - \u201cExpress\u00f5es do Som\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A cidade foi formada por meio dos legados dos povos bantos, que perpassam, inclusive, a musicalidade. Diferentes g\u00eaneros e ritmos sofreram influ\u00eancia de manifesta\u00e7\u00f5es art\u00edsticas tradicionais da \u00c1frica Central e da religiosidade banto, espalhando-se nos sons que ocupam o Rio de Janeiro contempor\u00e2neo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Composi\u00e7\u00f5es do Carro 05 - \u201cCidade das Multid\u00f5es\u201d<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"7<\/figure><\/div>
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Para o quicongo, uma das l\u00ednguas bantos, o sentido da express\u00e3o \u201cquilombo\u201d \u00e9 vinculado \u00e0 ideia de multid\u00f5es. No aquilombamento mangueirense, propomos um futuro ancestral promovido por e para as multid\u00f5es e os guetos do Rio de Janeiro. Como ensina as filosofias bantos, agregamos diferentes etnias e na\u00e7\u00f5es, propondo uma cidade m\u00faltipla e enaltecedora da vida dos povos marginalizados.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA<\/span><\/b><\/span>
\u00a0\"\"<\/a><\/span>(21) 96804-4097<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala 06 - AFROCATOLICISMO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"FIG-06<\/figure><\/div>
\"FIG-06<\/figure><\/div>
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J\u00e1 no Rio de Janeiro, os povos bantu participaram das Irmandades Negras e promoveram o afrocatolicismo, trazendo o seu pr\u00f3prio olhar sobre o cristianismo. O figurino traz a imagem de um Jesus estilizado com inspira\u00e7\u00f5es em m\u00e1scaras de divindades bantu, al\u00e9m de outros \u00edcones crist\u00e3os, evidenciando como o catolicismo foi incorporado e reinventado por esses povos. Para os bantu e para a sua filosofia, aquilo que alimenta a sua for\u00e7a vital – ou seja, aquilo que lhes move e faz bem – \u00e9 valorizado, sem que necessite existir um ideal de \u201cpureza\u201d. H\u00e1 um entendimento de que absorver aspectos de outras sociedades e culturas n\u00e3o \u00e9 algo ruim ou que apague as suas origens, desde que seja agregador para permitir novas possibilidades de vida e de ventura. Esse \u00e9 um dos exemplos de rela\u00e7\u00f5es de f\u00e9 que os bantu exerceram no Rio de Janeiro e que est\u00e1 presente no segundo setor do desfile da Mangueira!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala Mimosas – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: Eli Gon\u00e7alves (Chininha)
\"\"<\/a>(21) 99701-8205<\/span><\/span>
\"\"<\/a>(21) 99635-5530
(21) 2593-9694<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Au-Au-Au – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: M\u00e1rcia Machado (Guesa)<\/span>
\"\"<\/a>\u00a0(21) 97043-7569
\"\"<\/a> (21) 96756-7968
\"\"<\/a> (21) 97908-2240<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Moana – ESGOTADA<\/span><\/b>
<\/b><\/span>Respons\u00e1vel: Paulo Ramos e Vin\u00edcius<\/span>
\"\"<\/a>(21) 99316-6314
\"\"<\/a>(21) 99464-5736
\"\"<\/a>(21) 98624-6314<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala 09 - NAS DAN\u00c7AS, DISFARCES E CONCHAVOS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"FIG-09<\/figure><\/div>
\"FIG-09<\/figure><\/div>
\"FIG-09<\/figure><\/div>
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Pelas brechas da cidade, os povos bantu se associavam no Rio de Janeiro para enfrentar os efeitos da coloniza\u00e7\u00e3o e da viol\u00eancia escravocrata. Tendo os Zungus como cen\u00e1rio que comp\u00f5e o terceiro setor do desfile, encontros eram feitos para fugir da opress\u00e3o que marcava as viv\u00eancias dos negros cariocas. Indo al\u00e9m do lazer necess\u00e1rio para a sobreviv\u00eancia do cotidiano, manifesta\u00e7\u00f5es culturais como o jongo e o lundu perpetuavam costumes de origem bantu e tinham na sua pr\u00e1tica uma forma de se reunir para fazer articula\u00e7\u00f5es. Mascarados, dentre disfarces e conchavos, os bantu agiam contra a estrutura racista da sociedade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala Carcar\u00e1 – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel \u2013 Selma e Rafael Garcia<\/span>
\"\"<\/a> (<\/span>21) 99663-1664
(21) 3238-3389<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Vendaval – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: Clarice Failase e Katia
<\/span>\"\"<\/a>(21) 99915-2855
\"\"<\/a>(21) 98787-9868<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Gatinhas e Gat\u00f5es – ESGOTADA<\/span><\/b>
<\/b><\/span>Respons\u00e1vel: Wallace Souza e Alex<\/span>
<\/span>\"\"<\/a>(21) 97587-1433
\"\"<\/a>(21) 96764-4181<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala 14 - COMER UM QUIABO PRA N\u00c3O PEGAR FEITI\u00c7O<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"FIG-14<\/figure><\/div>
\"FIG-14<\/figure><\/div>
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Como uma das diferentes maneiras que a cultura bantu participou da forma\u00e7\u00e3o do Rio de Janeiro, os h\u00e1bitos culin\u00e1rios s\u00e3o destacados em uma ala do quarto setor do desfile da Mangueira. A gastronomia \u00e9 um tra\u00e7o repleto de simbologia e constitui culturas de cidades e na\u00e7\u00f5es. O quiabo era importante elemento culin\u00e1rio dos povos bantu, inclusive como forma de prote\u00e7\u00e3o, sendo utilizado em diferentes cultos religiosos at\u00e9 os dias atuais, inclusive como forma de oferenda a entidades das religi\u00f5es afro-brasileiras.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala Panteras – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: \u00c1urea<\/span>
\u00a0\"\"<\/a><\/span>(21) 96492-8624<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Estrela Iluminada – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: Maria Izabel <\/span>\u00a0
<\/span><\/span>\"\"<\/a>(21) 99963-3678
<\/span><\/span>\"\"<\/a>(21) 98179-1519<\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Seresteiros – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: Deisy<\/span>
\"\"<\/a>(21) 98196-7440
\"\"<\/a>(21) 99797-9795<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala 17 - GURUFIM: N\u00c3O CHORAR A MORTE, FESTEJAR A VIDA!\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"FIG-17<\/figure><\/div>
\"FIG-17<\/figure><\/div>
\"FIG-17<\/figure><\/div>
\"FIG-17<\/figure><\/div>
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A forma\u00e7\u00e3o da cidade do Rio de Janeiro ocorreu a partir da cultura bantu, que segue viva at\u00e9 hoje em todo o territ\u00f3rio carioca. A rela\u00e7\u00e3o com a morte como possibilidade de celebrar a vida e o ciclo da exist\u00eancia ainda \u00e9 vista em rituais como os gurufins. Beber, cantar e comer como maneira de exalta\u00e7\u00e3o daquele que se foi \u00e9 uma das maneiras de lidar com a passagem da vida sem um olhar de lamenta\u00e7\u00e3o, conforme ensinam as sabedorias bantu. O figurino se utiliza de elementos comuns nos cen\u00e1rios de vel\u00f3rios, como coroas de flores e rendas. Al\u00e9m disso, nos porta-retratos da ala, saudamos tr\u00eas mestres carnavalescos que tiveram trajet\u00f3rias marcantes pelo carnaval carioca e fizeram a passagem recentemente: Max Lopes, Roberto Szaniecki e Rosa Magalh\u00e3es.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala da Escola – ESGOTADA<\/span>
<\/b><\/span>Respons\u00e1vel: \u00c1urea<\/span>
\u00a0\"\"<\/a><\/span>(21) 96492-8624<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Realidade – ESGOTADA<\/span><\/b><\/b><\/span>
<\/b><\/span>Respons\u00e1vel: Djan\u00a0<\/span>
\u00a0\"\"<\/a>(21) 96470-1734
\"\"<\/a>(21) 96486-1504<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ala Amigos do Embalo – ESGOTADA<\/span><\/b><\/span>
<\/b><\/span>Respons\u00e1vel: Jo\u00e3o Victor
<\/span>\"\"<\/a>(21) 98058-6137
<\/span>\"\"<\/a>(21) 95911-0348<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala 20 - CONEX\u00d5ES POR UM CHAMEGO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"FIG-20<\/figure><\/div>
\"FIG-20<\/figure><\/div>
\"FIG-20<\/figure><\/div>
\"FIG-20<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t
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Ter um dengo, conquistar um xod\u00f3, fazer um chamego! O afeto dentro das rela\u00e7\u00f5es coletivas \u00e9 uma das bases para o pensamento bantu e fundamental para a constru\u00e7\u00e3o de um futuro ancestral, conforme prop\u00f5e o quinto e \u00faltimo setor do desfile mangueirense. Na escola dona dos maiores amores do planeta, novas constru\u00e7\u00f5es afetivas promovem conex\u00f5es transformadoras dentro das experi\u00eancias urbanas. Aflorando dos asfaltos, os girass\u00f3is se imp\u00f5em sobre a realidade presente. A natureza \u00e9 admirada pelos povos bantu e as flores s\u00e3o uma forte manifesta\u00e7\u00e3o de v\u00ednculo de afeto da vida humana.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala da Escola – ESGOTADA<\/span><\/b><\/span>
<\/b><\/span>Respons\u00e1vel: \u00c1urea<\/span>
\u00a0\"\"<\/a><\/span>(21) 96492-8624<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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NOBRE \u201cEXALTA\u00c7\u00c3O\u201d AOS SAMBAS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"fig25-03\"<\/figure><\/div>
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Alcione se inseriu no mundo das escolas de samba atrav\u00e9s de sua agremia\u00e7\u00e3o de cora\u00e7\u00e3o, Mangueira, mas se tornou uma grande difusora da arte das escolas, a partir da d\u00e9cada de 80, principalmente, ao gravar tantos sambas exalta\u00e7\u00e3o, atrav\u00e9s de um projeto consolidado ao longo de sua carreira, fazendo homenagens, por exemplo, as agremia\u00e7\u00f5es Portela, Beija-Flor, Uni\u00e3o da Ilha, Unidos de S\u00e3o Carlos, Salgueiro, Mocidade e Imperatriz.<\/p>

O projeto destaca a hist\u00f3ria de Marrom com as escolas de samba do Rio de Janeiro e seu compromisso de cantar e levar para o Brasil a nobre tradi\u00e7\u00e3o dos carnavais cariocas, atrav\u00e9s da sua musicalidade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Contato dos respons\u00e1veis<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ala da Escola\u00a0 – ESGOTADO<\/span>
<\/b><\/span>Respons\u00e1vel: \u00c1urea<\/span>
\u00a0\"\"<\/a><\/span>(21) 96492-8624<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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A Esta\u00e7\u00e3o Primeira de Mangueira n\u00e3o se responsabiliza pela compra de fantasias fora de seu site oficial.\u00a0Somente as pessoas relacionadas abaixo s\u00e3o autorizadas pela agremia\u00e7\u00e3o para a venda. \u00a0 Fantasias de CARRO Fantasias de ALA TODAS AS FANTASIAS EST\u00c3O ESGOTADAS Composi\u00e7\u00e3o do Abre-Alas – \u201c\u00c1guas Matriciais\u201d As \u00e1guas matriciais representam um dos sentidos de Kalunga, o princ\u00edpio da vida. S\u00e3o espa\u00e7os de nascimento e renascimento, fundamentais na trajet\u00f3ria dos povos bantos que, ao chegarem ao Rio de Janeiro, contribu\u00edram significativamente para a forma\u00e7\u00e3o cultural e hist\u00f3rica da cidade. Contato dos respons\u00e1veis Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA\u00a0(21) 96804-4097 Composi\u00e7\u00e3o do Abre-Alas\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6202","page","type-page","status-publish","hentry"],"blocksy_meta":"","featured_image_urls":{"full":"","thumbnail":"","medium":"","medium_large":"","large":"","1536x1536":"","2048x2048":""},"post_excerpt_stackable":"

A Esta\u00e7\u00e3o Primeira de Mangueira n\u00e3o se responsabiliza pela compra de fantasias fora de seu site oficial.\u00a0Somente as pessoas relacionadas abaixo s\u00e3o autorizadas pela agremia\u00e7\u00e3o para a venda.\u00a0 Fantasias de CARRO Fantasias de ALA TODAS AS FANTASIAS EST\u00c3O ESGOTADAS Composi\u00e7\u00e3o do Abre-Alas – \u201c\u00c1guas Matriciais\u201d As \u00e1guas matriciais representam um dos sentidos de Kalunga, o princ\u00edpio da vida. S\u00e3o espa\u00e7os de nascimento e renascimento, fundamentais na trajet\u00f3ria dos povos bantos que, ao chegarem ao Rio de Janeiro, contribu\u00edram significativamente para a forma\u00e7\u00e3o cultural e hist\u00f3rica da cidade. Contato dos respons\u00e1veis Respons\u00e1vel da Composi\u00e7\u00e3o – ESGOTADA\u00a0(21) 96804-4097 Composi\u00e7\u00e3o do Abre-Alas -…<\/p>\n","category_list":"","author_info":{"name":"admin.mangueira","url":"https:\/\/mangueira.com.br\/site\/author\/admin-mangueira\/"},"comments_num":"0 coment\u00e1rio","yoast_head":"\nFANTASIAS 2025 - Mangueira<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mangueira.com.br\/site\/fantasias-2025\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FANTASIAS 2025 - Mangueira\" \/>\n<meta property=\"og:description\" content=\"A Esta\u00e7\u00e3o Primeira de Mangueira n\u00e3o se responsabiliza pela compra de fantasias fora de seu site oficial.\u00a0Somente as pessoas relacionadas abaixo s\u00e3o autorizadas pela agremia\u00e7\u00e3o para a venda. \u00a0 Fantasias de CARRO Fantasias de ALA TODAS AS FANTASIAS EST\u00c3O ESGOTADAS Composi\u00e7\u00e3o do Abre-Alas – \u201c\u00c1guas Matriciais\u201d As \u00e1guas matriciais representam um dos sentidos de Kalunga, o princ\u00edpio da vida. 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